daily life in Beijing dialect spoken in Beijing uncle (kinds of pies and feel untouchable. In addition, Beijing Beijing's uncle also said that the old man, old Beijing called the father of a similar age with his uncle for men (In addition, the same name of drama.
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Drama Plot Profile plot analysis of the social background values of the performance of the overall plot of comparison with other drama drama drama Introduction Screenplay: the Aviva Director: Ren Ming design: Wu Qiong, Li Guo, Zhang Qiuchundrama Guixiang De Mother - King leading German full - high winter levels, Hebing Shen Shao-Shan - Han Shan continued, Wang Deli Xu Ya Sin - Yuexiu Qing German beads - Andrew Hsia public gamblers - Zhang Yuan, Maxing Yao, Wang Gang, Europe and China and Japan - Zufeng De Man High - m Synopsis of iron by the Manchu drama about the Beijing city Naruhito your family story. Courtyard of his house in the capital good location, spacious garden, downtown in the quiet embrace, often uninvited guests door-phase interference, want to buy business. Naruhito your character can be upright, staunch disposition, he thought the yard was inherited from our ancestors industry, are equal do not sell. Son and daughter who may be otherwise minded it is, outsiders seek joint drill days to fight the idea of a small hospital ... With the play unfolds, the makeup that year was around long banner generation courtyard, in the traditional family, leads to a story of joy and grief to the story ... ... analysis of the social background of traditional and modern sense of moral conflict is a major theme of literature in recent years. In fact, since the mid-1980s, with the economic system transition, traditional and modern sense of moral conflict, and gradually began to form intensification, become clear. Accordingly, in the intellectual broke the traditional culture and modern debate, and reflected in literature, the performance of this conflict is the large number of works appear. As the special object of literary expression, such conflicts more on family, marriage and emotional issues such as ethics, reflecting the transition in the modern confusion of these issues and thinking. Beijing People's Art Theatre drama . Script describes the overall plot of the story is not complicated: the old Peking Man (Manchu) Naruhito's ancestral mansion as your home is located in prime locations, government regulations and not allowed to alterations in the list, so many businesses want to gain a foothold in Beijing on the very much interested in doing everything possible to think that the right to use the mansion, while Germany has determined that the Father is the ancestral inheritance, life and death do not sell. In order to strengthen the conflict, script made from two full bedding. One prominent German family faces economic crisis, especially Germany, the German high sub-contracting factories parents fail, carrying Father made to real estate mortgage, the son of German small and owed an ass full of gambling debts, was hit the door, which Sellers will not be able to form not solve the pressing situation; two European businessmen in Guangdong and Shanghai, China and Japan Miss XU Ya Sin to achieve their own purposes, at Yu pride and, posing as a foreign wage earners, one claiming that the hotel staff, from different way close to the German family, then out of a very favorable conditions, not only up and down in addition to Germany, Father's fond of human outsiders, but clearly this is the only good way to escape trouble. Meanwhile there is a small Afterwards, the family had hopes that German ancestors dug up the treasure buried in the ground, however, when the twists and turns, but found a bunch of so-called treasure coins and a piece of paper Zuxun, the hope has finally broken burst. Finally, Europe and China and Japan to resume its senior manager of Guangdong, a large company's true colors, suits Gelv, hand full of two hundred thousand cash lockbox debut. Miss Xu previous competitors have changed, but at this time, invested in China and Japan under the command of Europe, especially Germany and German family Father, will be how to choose? Big screen this fall, the answer to the question left to the audience. Sellers in this story of a house or on the following framework, implied or real dramatic conflict but the tide of commodity economy in the traditional sense of morality and modern conflict. Mr. Yingjie according to script the creation of the author in the concept of the play's main characters can be divided into three groups: First, their old friend Naruhito Gui Shen Shao Shan, his wife, represented the generation of German Mother, belong to Beijing may gradually withdraw from the stage of history , and begin to adapt to the economic tide and is the daughter of German added into the beads; Third, China and Japan and Europe XU Ya-sen as the representative of foreign people, in Aviva, said: ideas with which to transform the old orthodoxy, but at least, their hard-working, intelligent and motivated, to achieve the purpose and the courage to do everything possible to seize the high ground, is worth thinking about. figure is undoubtedly an integral component for the rich story, has an important role in the intensification of the conflict; but if it shows the playwright's creative conflict and performance in terms of motivation, the first group and third group of people, especially your Naruhito Both China and Japan and Europe to shape the image more meaningful. In fact, from the reaction of the audience after the performance, the second group of people did not cause any controversy, the playwright's treatment of this group of people to judge them with the audience is also more consistent. On the contrary, the head of Germany for German family Father businessman Europe to China and Japan and Guangdong, the situation is much more complex, it is difficult to use a sentence or two to show their views on these two images. It should be said that is normal because that is what the playwright intended effect, in other words, the audience views the play of these two diverse and equally fuzzy image processing is consistent. In Naruhito your body, the author intends to highlight that he adhere to traditional morality, not for money, good quality of the action, but also depicts his character in the conservative side of that closed; in Europe and China and Japan who, the author not only render the He's smart and capable, full of pioneering and not up to never give up the character traits, but also the performance of his purpose to do anything the other side. Of course, to be fair, Europe and China and Japan posing as workers into the German family, then family members to obtain the goodwill of Germany, which, although some of the less fair and square, but can not say it is immoral. However, if the practice of the XU Ya-Xian China and Japan and Europe and linked nature of the problem is more clear: In the final analysis, Xu and Europe as they are, although not hierarchical, it is the same as unscrupulous. As a result, both China and Japan Naruhito expensive or Europe, the author is not entirely positive or entirely negative, did not give a clear evaluation. The audience, it is difficult to simply use a bad word to be judged. Actually, the most important is not the playwright's ambiguous attitude, but in real life itself is confusing. Not to mention that we can not ask the playwright to the audience a clear evaluation, even if the writers really do, can not replace viewers' awareness and understanding of life. If you savor the play, from the But the problem is, the author criticized the children,[url=http://www.buy-ugg.us/][b]title=UGGS Outlet[/b][/url], or you will like this Naruhito upright, self-esteem, on behalf of the old Beijingers good quality, while not without problems of the people included? Further said that your character's duality for Naruhito, we can not be completely separated from criticism of its negative side and certainly the positive side? This is indeed a thorny issue. If you think that the And if you think that the image can be divided into two Naruhito, criticized the conservative, closed and be sure that Valuing Loyalty, Anpinledao, it is virtually impossible. The reason is simple, Naruhito on both sides of your image is one thing, but look different because of different judgments, it certainly is certainly bound to one side while the other side, while rejecting the negative side is also bound to the other side. So, do not say that the image of the audience on Naruhito judge the value of your confusion is that the actors play, which is also quite difficult to grasp. Europe to China and Japan for example, actor Yang Lixin sigh: how to deal with Beijing uncle? How to deal with Beijing so good moral character? How to face the German uncle's self-discipline, self-confidence? I still feel apprehensive! The Naruhito is that your actor Lin Liankun: Naruhito not only represents your uncle or uncle in Beijing, (note: here the two Italy) He stuck to the concept of our nation's traditional values. The house at every turn, rent not rent, you serve all tightly around the rise and fall of the house, the house is a sign and symbol of family, home sellers is lost ... ... Naruhito means the spiritual world is part of your oriental . Ancestors gave me a patch of land, I enjoy the blessings of this patch of land, showing that he is true to its creed. In this materialistic today, this spirit should be called commendable. People living in the world, should always be pursued, but the pursuit of material, or the pursuit of the spirit, which is the life of two very different concepts. Naruhito your own spirit, his wealth, is one of his prostitution of the valuable qualities. [②] Yang Lixin apprehension is justified, this truth is Lin Liankun Naruhito your image included on the positive understanding of the significance. As an old Beijing, a Beijing People's Art of the actor, Mr. Lin Naruhito of life has too much of your knowledge, he knew this type of old Beijing's psychology, their spiritual world. I had the feeling that Mr. Lin Naruhito your image understanding and creation of the author's intention seems to play there were some discrepancies, and this is mainly out of a different focus: Lin focused, Naruhito your character traits is the positive side ; and playwright in Mr. Yingjie focused, it is in the negative character traits Naruhito your side. This is also out of perspective as judge or judges of different scales, with Mr. Lin quoted Naruhito your language: Yes, who's management has reason, it is recognized, however, a more rational management who do? I am afraid that is not so easy to say. It is so expensive because of Naruhito, who is also your judge so Naruhito, Naruhito your image on the meaning of the evaluation will say, today. Values of performance, many people think, Europe and Japan-China from Guangzhou, XU Ya-Sin from Shanghai, which in itself provides the basis for the above understanding, the playwright is a guest in Beijing in Aviva from Guangdong writer, but indirectly contributed to this view. However, in my opinion, Play the massive Beijing courtyard does have symbolic significance, as a cultural code, which represents the foundation left by our ancestors, the ancestors of a witness the performance. Therefore, the sale or rental of this old house, it implies not even the black sheep of the Conservative means; and muscle in the poor, the tall buildings of downtown marketplace to live on this side to retain the Pure Land, it seems that reflects a commendable conduct festival parade . The key here. I do not know why the playwright's mind, but for any one mind a little bit flexible, a little open view of the audience, he from the courtyard, from the embarrassing situation in Germany and his family feel, think, should be more than a family sorrows and joys, funeral music, not just a geographical and cultural values in the choice again, and will be more. In the historical process of economic transition, the state-owned enterprises such as mergers, joint ventures, economic development zones set up, even as Shanghai Pudong, Yangpu kind of like the old concession in Guangdong, a country within a country's situation, and in fact and Germany are quite similar to the situation at home courtyard, also brings a similar confusion. So, the drama By the same token, around the I do not want to be the hard part of the problem of literary criticism and institutional issues involved together, but as long as we play deep thinking questions, the final answer, still to the social reality in China today to seek. Indeed, As the dramatis personae, including as an actor, he can identify the children from the grounds, for the fullness of vivid characters, realistic and credible,[url=http://www.ireland-ugg.com/][b]title=UGG Boots[/b][/url], this would be an important role. For the literary critic, not necessarily have to answer which one is more justified reason, he can judge the moral and historical judgments separately, to avoid making a choice between the two. However, the reality outside of the script is that no one can be avoided. Aviva said in the good: Father of German ancestry were also clinging to ancestral property, then they would not be outside the customs still continue the nomadic steppe, boiled tea in a tent, roast leg of lamb, how to stay in Germany, Father of the courtyard to pass it? Leaving aside the specific content of the conflict is not the script that this alone constitutes a conflict arising from the dramatic effect, the Many people think that the drama This is not unreasonable. It should be noted, however, this is only the In fact, the More specific, said the special nature of this conflict in two ways: First, it has a strong reality, and second, the conflict in the form similar to the logic paradox. Comparison with other drama as a comparison, we might look at the Beijing People's Art is staged with the other two plays, If the performance in terms of local culture, But it tells the story of an old era, not as The theme will undoubtedly play a distinct reality, although there are some local culture much color, but not as a win. Most importantly, the script does not constitute a sharp conflict, difficult to reconcile the opposition, conflict resolution is far too easy, so the lack of a stirring or thought-provoking drama. of urgency, and the opposing sides have good reasons for their existence. In other words, constitute the parties to the conflict is not a general sense of good and evil or right and wrong, and therefore difficult to measure the value of a single judge. In this way, the script is not the charm for some particular culture and novelty generated, but the conflict itself caused concern for the reality and thinking. This is the paradox of dramatic conflict characteristics. Standing in the position of the Party point of view, its actions can be said is completely legitimate, justifiable; while standing on B's standpoint, the situation is the same. More importantly, the values on both sides, we hardly made a higher, as both sides recognized the principle of judging. Thus, the paradox of conflict, they put the characters, even the audience placed in a dilemma of the territory, in such dramatic circumstances, the traditional way of thinking either been seriously challenged, people have to re-examine their concept of the past, have reciprocal position, conversion perspective, with a view to the issues raised have a more clear understanding. Paradox of the conflict in the drama has a long history of the origin, the ancient Greek tragedy The play highlighted a blood relationship, brotherhood and national interests, the conflict between city laws: Bo Lvnie Alex troops to attack Intuit Baicheng, defeated death, the king ordered the ban to hold a funeral Ke Ruiweng Offenders sentenced to death; and Bo Lvnie Alex's sister Antigone for Gurouzhiqing, regardless of the impending massacre and buried Bo Lvnie attracted Alex. Clearly, the parties to the conflict has its behavior is reasonable, but reasonable potential with each other with fire and water, diametrically opposed, resulting paradox of dramatic conflict. German classical aestheticians Hegel's . [③] The reason for this, mainly because of the play can best embody the essence of Hegel's understanding of the tragic conflict. In Hegel's view, the real tragic conflict should be a good and two evil confrontation between the two, that is, parties to the conflict both its reasonable, good side, there are irrational, evil side, if you want any of them to achieve their legitimate purposes, must be damage, destruction of each other's good as a precondition. For example, Behind in this conflict, in fact, reflects the historical development of a basic law, that good and evil intertwined and mutually constitute a denial of historical development. Because of this, the paradox of conflict often reflects the major turning point in the history of the conflict between different values, and through the complexity of the conflict reveals the profound historical meaning. In general, the paradox of conflict, mostly found in tragedy, as determined by the nature of the conflict, parties to the conflict on behalf of the hero since the rational for their actions and deny the other side, it will have to pay the price, and even death. Moreover, a considerable part of the paradox of conflict, tragedy, conflict, often by the concept of levels into the character level, the direct expression of character division. That is, conflict between different characters than the performance of the opposition, but also the performance of a single character's inner conflict, the so-called tragedy of character, this character is the paradox of the conflict decision. Such as Shakespeare's tragic figure, and Cao Yu's It is also because of the successful use of the paradox of conflict, these works only had a strong dramatic effect. Of course, the But as we have seen, the paradox of conflict, the use of its success lay a good foundation, especially the paradox of conflict has a distinct reality, and reflect the people in transition, the major issues of common concern, Thus, while the script in an outstanding way to end, left hand to the audience room to think and aftertaste. This is not the author intended trick, and it is determined by the complexity of the problem itself. However, the attentive audience, in fact, the tendency is not difficult to feel from the author. reality, I am afraid it can bring the drama of expertise, active participation of the audience more easily. [1] References 1
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